You’re able to rewind time to the beginning of the stage if need be (at which point it would just be easier to back out of it and start anew, but hey, the option’s there if you feel like it. Unlike in Prince of Persia: The Sands of Time, you don’t have a limited use of this ability. It might sound all too easy that way, but the wonky physics of pulling a crate or box around will have you trying to pull in different directions and leave you rewinding to get it just right. The game allows you to rewind time, making those all too easy to make errors more of a hindrance than an actual failure state. If a guard sees her kill another guard, it’s an immediate end, but thankfully, there’s a way around that. It seems simple enough, but Shadwen can only take down one guard at a time.
Doing this in close proximity to a guard will get his attention (and any other guards he’s near as well), clearing the path for Lily to move to her next hiding spot or for you to take them down. This item will play the most pivotal role in the game as it allows Shadwen to climb up to areas she couldn’t otherwise access, swing from platform to platform, and pull objects to get the attention of guards. Shadwen starts off with only a knife at her disposal, but gets the pieces for a grappling hook to use within the first few minutes of controlling her. That, in a nutshell, explains the entirety of the game. Lily will follow you either way, which is a bit baffling if you chose to kill the guard in front of her, and your goal from there on is to guide her to the next area.
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During that meeting, you’re given an option on how to handle the guard that’s harassing Lily: either lure him away so Lily can escape or kill him. On her way, she meets up with Lily, the girl you control in the first chapter of the game. Shadwen is a stealth game that has Shadwen, the titular assassin you play as, maneuvering her way through a town on her way to assassinate the king.
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Platforms: PC and Playstation 4 (reviewed) THIS REVIEW ORIGINALLY APPEARED ON MY PERSONAL SITE, GAMES AND JUNK.
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